Sunday, 02 February 2014 16:35

New Music Releases February 2014

Most of these songs are available on iTunes or Bandcamp. Please check back as we update you on the most recent releases.


"Slingers" - Rob Marciano and Knowledge the Pirate have a hot collabo and a new song from the mixtape "The Pimpire Strikes Back."

"What Is To Be Major" - Barsheem, soulful NY crooner, releases his album on the most appropriate of days – Valentine's Day.

Published in New Releases
Sunday, 02 February 2014 16:30

New Music Releases January 2014

Most of these songs are available on iTunes or Bandcamp. Please check back as we update you on releases and their availability.


"Against the World" - Remington – who has energy like this? Remington can compel anyone to move.

"Faces" - Manic After Midnite's down-tempo house would make Samantha James proud.

"Yacila" - Mayta, Dallas's premier Latin band, added a video to their Afro-Caribbean infused song.

"Fuck Nigga" - Lil RG Yilla condeming dudes who ain't handling their business.

"Regular" - Beatking and D. Carter release a new video to an anthem that claims they aint regular.

"Suits & Gunsmoke" - Chris GQ Perry takes a break from bragging about his bedroom skills and shares some introspection on life and loss.

"In and Out of Sleep" - Dustin Cavanos. Saw Dustin walking outta Buzz Brews, probably shoulda got an autograph.

"I'm International" - Chris Cash, the premier rapper from the City of Sin, drops another well produced-video.

"Jazzy As Funk" - Ivan The Paynter tries a new groove on his debut rap album. Think Guru.

"Free Ballin" - SniperShot's drops something for his Dallas fanbase and beyond.

Published in New Releases
Saturday, 01 February 2014 20:45

New Music Releases Oct-Dec 2013


Most of these songs are available on iTunes or Bandcamp. Please check back as we update you on the latest releases and their availability.

"Kill Me"- Klass Money is one of FL's fastest-rising rappers; this song is accompanied by a video with a "dope visual style."

"Alright" - Bryan Poppin new song features Tamela Mann, and together they raise the proverbial gospel roof.

"Lipstick On Her Cigar" - Chris Robinson and his guitar strum the sadness of the blues.

"Anyday" - Alexis Jones, Raleigh, NC, songstress, belts out adult-oriented R&B melodies.

"Someplace On Earth" - the Downtown Fiction sings for "losers and kings" on this buoyant pop-rock fusion.

"Bad Company" - John Beezy reps Drop Boy Records in his new song and video.

"Pay Your Tab" - RC & the Gritz releases their debut album to rave reviews.

"BLVD" - Nayah shows Dallas how to take to the boulevard with a song fit for the dance club.

"Alone" - Love Brooklyn claims to be alone. But I'm sure that their myriad of female fans would disagree that they are alone or better off that way.

"Wrecking Ball" - Tom Bertram's version isn't available for purchase. But the cover of Miley Cyrus is worth the listen.

"Enjoy: Like: Love" - Malice and Mario Sweet release an album in celebration of their wedding anniversary and birth of a child.

"Grammar" - Body Language, NY-based electronica/soul quartet, releases another album featuring hits "Just Because" and "Well Absolutely."

"Rent" - Brian Hazard gives away free copies of his unique brand of synthpop.

"Right Mistake" - Shawn Mayer isn't afraid to be sinful when she makes a mistake. She also isn't afraid to rock out.

"Success" - Young Rado spits a positive message on his latest single.


Published in New Releases

I don't know much about the Swag Geeks. But I wish I did. Because on their song "Love Me Right" they've fashioned an bouncy fusion of pop, jazz, R&B, and big band.

The song is driven by the vocals of Brooke Pennington who's intonation is Beyoncesque. The song is fast, fun, and infectious. It's groovy; a song that even Cab Calloway would've approved of. 

I love music, and I love discovering new music. Original music. Good music. And this song is all three. Not to mention, Geeks who claim to have swag? Forreal? Ya gotta like that idea ... 

Published in Reviews
Tuesday, 26 November 2013 14:58

RC & The Gritz

It isn’t often that artists experience success on their first commercial venture, and when they do, it’s even less often that they stay humble and accessible. But RC Williams, of RC and the Gritz, has managed to do both.

At the age of 19, RC was part of God’s Property, the backup band for Kirk Franklin, best known for their rousing hit “Stomp.” That song led to a “BET” video, a performance on Jay Leno, the Soul Train Awards, and meeting stars like Puff Daddy, Snoop, and Whitney Houston.

Fast forward almost 20 years, and RC has become an established artist of his own.

He and the Gritz are Erykah Badu’s backup band, and his work on her album, “Worldwide Underground,” resulted in a Grammy nomination.

He has toured with Snoop Lion, written for Raheem Devaughn, and worked with artists from Prince to Jill Scott. Each month his star power brings artists such as Bilal, Stokely, and Eric Roberson to the funky Deep Ellum joint on Elm Street called “The Prophet Bar.”

With those accomplishments and that influence under his belt, some might expect RC to be trippin’ over his own ego. Rest assured, he is not. For all his talent in writing, producing, and playing, for all his travels – Europe, Asia, and coast to coast – RC remains humble.

Perhaps it’s due to his beginnings. RC is a Dallas native. Born and raised. Like many musicians, his roots are in Gospel, and he will readily adds that, at one point, his mother’s spirituality was so strong that she didn’t want him playing secular music.

But as they both journeyed down the path he was destined to travel, they learned that music is music. And, more importantly, that music calls RC to play.

As you sit back and talk to RC, you can’t help but wonder how he has continued to maintain success in an industry where success can be fleeting. He credits it to “creating relationships.” RC believes that creating relationships and then building on them is fundamental to success.

“You don’t have to get out of Dallas to succeed. Relationships … making good relationships is the key.” Build good strong relationships and be willing to help each other out. Do “friendship trades.” Appreciate the talent that surrounds you.

Those relationships, that talent, and those friendship trades have all culminated in what’s next for RC and the Gritz: the release of their first album entitled “Pay Your Tab.”

The title is inspired by a Prophet Bar waiter requesting that RC tell the patrons to “close their tab,” and RC describes the album as “groovy, emotional, and catchy.” The funky disc features performances from Raheem, Snoop, and, of course, Erykah Badu.

Interestingly, the Gritz weren’t formed to create an album; they were formed to play some gigs around Dallas in their downtime. But somewhere along the way, something organic happened: People asked, the songs came, the writing began, and it was a natural process.

This isn’t to say the album came easy. RC admits that “doing it the first time was a real learning experience.” But when you love your work, it rarely seems like work at all. What’s clear is that RC loves his work.

So with Grammy nominations, TV performances, and worldwide tours under his belt, is there much left for RC and his Gritz?

According to RC, the answer is yes.

“I feel like this is a beginning. My plan is to build an empire down here and to take the initiative to build artists from the city of Dallas. I’m blessed to be where I am. But I’m not stopping here.”

RC and the Gritz are blessed to be here and Dallas is blessed to have him as a native son.

RC and the Gritz is composed of RC Williams, Braylon Lacy, Cleon Edwards, Claudia Melton, Jah Born, Taron Lockett, and Evan Knight.

“Pay Your Tab” by RC and The Gritz is available via iTunes, CDBaby, and other digital outlets. It should be available at retail stores the first week in December.

Published in Interviews

I had never thought of Norah Jones as soulful. And maybe that was my mistake. I'll own it. But in 2008 she laid down the sexy and soulful hook on Q-Tip's "Life is Better" and I was forced to rethink Ms. Jones.

Norah continues to prove how soulful she is in this coupling with Grammy Award winning pianist Robert Glasper. The beauty of Glasper's playing and the vibe of Jones' voice creates a scintillating tune that makes you want to turn the lights low and chill. It's a delicious song that you could easily replay again and again. And again.

It's only weakness is that it's capped by some Wayne Brady shtick. The lines are pretty funny but they seem out of place on the song. And I hate when I love a song but can't include it on my iPod playlist because the artist has opted to include needless chatter at the end of the song.

In this case, the sin is almost forgivable. This song is so good, I think I might be able to "Let It Ride." 


Published in Reviews
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